Song Review: Dear Jane's "Unavoidable"

Dear Jane makes their 2013 return with their new single "Unavoidable". Right off the bat, it is obvious that this talented band have once again given it their all into this song.

"Unavoidable" is a song that will probably only appeal to a smaller group of listeners. It possesses a softer rock sound, which fans of the band's former rougher and more punk influenced music may not be fond of. At the same time, it is not a song whose melody will immediately stick to you because it's not as catchy as their other material. However, it does not stop "Unavoidable" from being an overall great song.

This may sound strange, but in some ways this is one of Dear Jane's weaker songs, but in other ways their personal best. It's weakness consist of the reasons stated above. One must be more open minded and really appreciate music to realize this is actually one of Dear Jane's best yet. The song embodies what I love this band so much for: true passion and honesty. Howie's songwriting and composition is beautiful, personal and meaningful and Tim is able to showcase his voice and bring his lyrics to life. I'm pleased to see that Dear Jane, while conforming a bit to make it in the mainstream HK music industry, is also staying true to themselves and giving listeners the opportunity to hear something different and full of heart and substance.

======================================================================

Additional Notes: Against my initial expectations, "Unavoidable" is doing incredibly well! It went #1 on the iTune store as well as on HK music charts, and still high up as we speak. It is wonderful to see a song that doesn't conform to usual HK mainstream tastes garnering critical and commercial success. Congratulations Dear Jane!!!

"Slow Boat Home" Review

"Slow Boat Home" had promoted itself to be a refreshing youth-oriented and romantic lighthearted comedy. While the first half of the series did manage to be quite enjoyable and deliver many laughs, a closer look and one can easily tell that it quickly morphed into another typical TVB family drama. Although quite funny in its earlier episodes, it became yet another series with poorly written story lines weeded together and love stories that lacked a romantic factor that turned it lackluster and draggy.

The four leads all deliver, but the development and outline of their characters was sloppy.

Raymond Wong is solid as always and delivers as "Cheung Bo Jai". The character would have easily become annoying with his obnoxiousness in the early episodes, but instead Raymond made him quite hilarious. Yet, Cheung Bo Jai found himself primarily pining after Bo Bo (portrayed by Aimee Chan) and caught in the middle of family drama, lacking his own direction in life. Although he has a dream of owning his own boat, not much is ever done with this subplot until - you guessed it - he buys himself a huge yacht in the last episode.

Aimee Chan is surprisingly pleasant and very likable as "Bo Bo". She is charming and appears very comfortable onscreen due to the tailor made role and casual atmosphere. However, it is actually her character that puzzles me the most with her odd actions and behavior. She so readily settled down into life at Cheung Chau and gave up her career as a director that it was simply bizarre. I find it hard to believe Bo Bo would not return to New York when she could, had such a good attitude about working as a waitress when she was formerly a director, and so easily gave up on looking for her father (the reason she came to Cheung Chau) after learning it is not Mui Kei (portrayed by Ngok Wah).

As a huge fan of Ruco Chan, I become giddy every time I start a new series with him as lead. Now, this giddiness literally lasted all through out "The Other Truth", yet wore off for me here after just a
few episodes. Why? "Fit Wing" offers absolutely no challenge to Ruco's acting skills and range, and didn't present much more substance than that of a fool blinded by love.

Selena Li is given more of an acting challenge with "Heidi", who goes from greedy to good to being even more greedy than before and finally back to well, volunteer work doing, no make up wearing good. She does what she can with the role and it's nice to see her exercising her abilities a bit, but Heidi's character changes were abrupt and poorly done.

As said above, the love stories lack actual romance. Ruco and Selena share so much sweet and genuine chemistry, yet Fit Wing and Heidi's relationship was a constant back and forth with Heidi's regression, hurting and using Ruco as well as his loved ones time and time again, only to end with him forgiving her. And then the cycle repeats again. And again. Their relationship was dysfunctional and kept suffering the same setbacks. I feel teased that two such lovable and endearing onscreen love interests were given such a terrible love line.

Raymond and Aimee's line fared better. They were entertaining during their take as the classic bickering rivals turned couple, but I failed to see when Aimee started to return Raymond's feelings for her. Although they were fun together and shared chemistry, they too lacked romance.

However, "Slow Boat Home"'s most significant setback is how disconnected from each other the four main characters are. At first, the series seemed to tell two completely different stories, with one taking place in Cheung Chau and one in Hong Kong. Although this improved when Ruco and Selena's characters relocated back to Cheung Chau, it still couldn't hide the fact that the four were very much disconnected and lacked cohesion.

Friendship was a theme that would have been enjoyable to see develop, but the bonds beyond the two couples was not explored. Aimee and Ruco do not even share a scene together until almost halfway into the series, and Raymond and Selena had almost no interactions despite being childhood friends. It focused almost solely on the two couples and unnecessary family drama.

The most enjoyable aspect of the series though, was the bromance friendship between Raymond, Ruco and Matt Yeung. The three guys appeared very comfortable together and their friendship looked realistic, resulting in fun and warm scenes. However, these scenes were limited, particularly with Matt's minimal screen time and once again, disconnection to the group overall. Poor "Chuen So Kei" was constantly lost about what was going on between the four and almost consistently the last to find out.

Easily the most refreshing thing about "Slow Boat Home" is its location filming in Cheung Chau. It was a breath of fresh air to not see the same boring sets and filming sites yet again and instead see the natural beauty of this small town. Of course, this alone was not able to keep "Slow Boat Home" entertaining and fresh.

What becomes most evident about halfway through the series is that there is no actual point to it. There is no central story line, and just a bunch of poorly written story lines weeded together while the two main couples were pushed apart and back again and again. Not only does it become mixed with trite family drama, but allows itself to fall victim to cliched and random story lines like Oceane Zhu's and Elaine Yiu's. These subplots added nothing to the overall story (whatever that was) and seemed like they were simply included to drag out the series length. In addition, Lee Yee Man's character can probably go down as the most annoying character of the year.

Here's a fun fact: when the series was first proposed, it was supposed to have a music theme and showcase the musical talents of the cast. Ruco and Aimee were to play together on the guitar and piano respectively. Sadly, what showed up in the final script was Ruco strumming random guitar chords two or three times and no use of music as a theme. This is disappointing as it could have helped make "Slow Boat Home" more refreshing, particularly with its musically inclined cast (Ruco can play guitar and sing, Aimee can play piano, Selena can sing and compose and plays the piano, and Cilla was originally a singer). My guess is TVB backed out of this original concept to ease and simplify the filming and production process, since they love taking the easy way out. I would have loved to see music incorporated into this series.

Overall, "Slow Boat Home" is a series that starts off funny and entertaining, but its humor quickly wears off and goes down the trite family drama route traveled a hundred too many times by TVB series. All four leads are strong and likable, but either poor or inconsistent characterization keeps them from being utilized to full potential. If it weren't for the large amount of free time I have on my hands these days and the main cast, I would probably have dropped it by the last five episodes. There was plenty potential, and marketed as a youth-oriented romantic comedy, it had the opportunity to be something fresh. As most TVB series these days though, it is once again wasted potential.

Rating: 2.5 stars

Album Review: Mr.'s "New Beginning"

Released in the first week of 2013, Cantorock band Mr. makes a strong and rocking entrance into the new year with "New Beginning". Overall, it's an enjoyable listen with their signature rock sound coupled with new and different elements.

"第五類接觸/Fifth Kind", used as the opening song for their New Beginning Live concert, is an upbeat song that gets you pumped and moving. There's a lot of energy in it and gets you psyched, making you want to hear more.

"走一走/Walk" is another energetic song that will get you moving. The beat of the song will have your head bobbing to the music. The instruments get to have a lot more creativity and fun here.

What is most surprising and fresh about the album though is "Dance Floor". I never would've expected Mr. to release a dance song. It does a fantastic job of blending the musical instruments with dance and synthetic beats. The rock sound is retained but there is also a club vibe to it. The feel of the song is very mysterious and alluring, especially when Alan sings "With me tonight, with me tonight...". "Dance Floor" is incredibly catchy, slick, and infectious. It's not something I saw coming from Mr., and I'm very impressed.

"方向感/Sense of Direction" is a mid tempo song with a relaxed but uplifting tone, and one of my favorite singles from them yet. A more in depth review can be found here.

"舊日理想/The Old Ideal" is a good contrast to the rest of the album. The music and lyrics are filled with angst and raw emotion, a heavier than usual sound for them that fits. I love blasting this when feeling down or angry.

"What R We Fighting 4" is one of Mr.'s weaker singles. It's catchy and promoting a positive message, but musically it's repetitive and too simple. It's still a fun and upbeat listen, but a step backwards in terms of a maturing music style and wasn't the best song to promote as the lead single. Nevertheless, it makes a good anthem to fight for what you believe in.

The album ends on a thoughtful note with "一首情歌/One Love Song". Mr. goes acoustic here, a refreshing break from their upbeat and "louder" material. It's nice to see a softer and gentler side to them. The sound is very romantic, dreamy, sweet, and soothing. You won't be able to keep from smiling when listening to it.

"New Beginning" is a fantastic EP from Mr. that shows maturation in their musical style. There is more variety here than in their previous works as well as distinction between each track. Each song is worth listening to and repeating again. Although they keep with their band sound, they bring several twists to their music this time around for some freshness, and it works. It's the start of another very promising and successful year for Mr.!

Rating: 4.25 stars

Song Review: Pakho Chau's "Death Row/斬立決"

Pakho Chau impresses listeners while touching on their emotions and bringing their attention to an important social issue with his single "Death Row/斬立決".

"Death Row" is a commentary on one of today's most problematic social issues: bullying (more specifically, cyberbullying).  The lyrics compares and makes a metaphor out of a victim of bullying and someone on death row.  They're shunned from society, and not given the chance to "repent", even though they did nothing wrong.  The chorus paints the picture of an execution, and how people gather to watch the victim die, without shame and without making a move to stop it.  The lyrics paint heart breaking imagery and inform of the horrors of the effects of cyberbullying while the haunting melody leaves you feeling conflicted.  Pakho's deep voice allows the song to be sung with power and raw emotion.

The music video illustrates the metaphor used in the song.  Its concept is in a more artistic direction with simple expression.  The video is shot in black and white with a bleak setting.  Taking place in an empty room, Pakho is shown getting poisoned by an apple, and waking up to be on death row.  He is then executed (off camera and through angle shots) and lies in the arms of a masked and tattooed woman as flower petals fall around him.  There is a dominant use of unique and dark masks and other head pieces, which probably hint at more symbolism.  Also, there is an additional scene after the song ends where Pakho is shown eating the same apple, but this time is not poisoned by it, showing he has received a second chance to live his life.  The music video is executed very well.  Though simplistic and a bit frightening, it carries a lot of meaning.

Pakho Chau's "Death Row" is a fantastic song for all the reasons above.  Due to heavy content, it does also leave you feeling depressed and conflicted.  Overall, it is one of the year's best, with well written lyrics, a melody that sticks with you, raising awareness of one of the problems of society, and leaving a lasting impact even after the song has stopped playing.

"Ghetto Justice" Review (By Iris)

"Ghetto Justice" unexpectedly became the sleeper hit of the year when it was released in 2011, becoming a critical and fan favorite.  Since then, many people had anticipated the sequel, including myself.

"Ghetto Justice 2" was set up very nicely.  It was one of the few sequels that truly felt like a continuation from the original.  All the principle cast members had returned, the ones who did not were heard from and had explained absences (Eddie Kwan and Joyce Tang), and the new characters (Raymond Cho, JJ Jia, and Crystal Li) were introduced well.

It all goes downhill from there though. The cases were weak, forgetful, and overall just uninteresting.  They failed to command attention, and with the excessive family related cases settled out of court, it strayed from the fact "Ghetto Justice" is a law series.  There were no captivating court scenes here.  Even the cases that had potential, such as the building collapse, were written poorly and ended abruptly. 


The heart and soul of "Ghetto Justice", embodied in the character of Law Ba made infamous by Kevin Cheng, lost his touch.  His ego seems to have inflated since the original, making him go from lovably cocky to just plain obnoxious at times.  His laziness and playfulness has elevated, and the brilliant lawyer failed to be exhibited much.  All of the subtle characteristics and flaws that made him special and likable in the first one were unnecessarily magnified.  He's still a likable enough character, but just not the same Law Ba that the audience came to love.

Myolie Wu delivers a repeat performance.  She reprises the role and shows small improvements, but doesn't present anything too new or impressive.  She and Kevin still have a great amount of chemistry together, and appear very natural.

"Ghetto Justice 2" wins the award for bringing in the most unnecessary plot device for its story ever: the love triangle.  The sequel saw challenges for Law Ba and Wong Sze Fu through Law Ba's ex-wife Lynette, played by Christine Kuo, who somehow managed to remain unknown to any of the other characters for so long.  The idea already seemed bad in theory, and its execution was no better.  Lynette was irritating, and almost singlehandedly makes the series a long draggy, mess.  There were some redeeming traits in the character, such as her wish to truly help people as a doctor, but her foolish love for Law Ba masks her potential likability.  Christine gives a mediocre performance with jumbled Cantonese and unnatural crying scenes, but the scene where she challenges Myolie to fight for Kevin showed she can be pretty fierce. 

Between the weak cases and overall storyline, the decline in Law Ba's level of likability, and the addition of Lynette, it was the supporting cast that kept me watching (that, and I didn't want to just drop the series since I enjoyed the original so much).

"Ah Dan" (Sam Lee) was already likable in the original, and continues to be.  In fact, I held a higher appreciation of the character of Ah Dan and Sam's subtle yet real portrayal of him this time around.  He is kindhearted and concerned of the well being of society to a fault, but has a tendency to neglect family.  Regardless of how small the appearance, it was also great that Sharon Chan was able to make a cameo as Ching Ching through the form of Ah Dan's memory and mind. 

I had major doubts of the pairing of Sam Lee and JJ Jia, but they turned out to be the pair I enjoyed watching most, from their initial dislike and misconceptions of each other, to their friendship and mutual understanding, to their eventual realization of their love of each other.  At first, JJ Jia's character Ah Sum seemed like she'd be very annoying, but she turned out to be a sweet, kind, caring, but smart girl.  JJ performed quite well, bringing out the heart and wisdom in Ah Sum.  She knew to remember the memories forever, but not let the past keep her from being happy in the present and future.  Her unwavering care of Ah Dan and willingness to help him through thick and thin was touching, particularly when she steered him to learn to accept his mother's death and mend his relationship with his father.  It was a plot line that could have been draggy to watch, but one of few things that were executed well in the series. 

Jazz Lam reprises his endearing performance as the adorable and gentlemanly MJ with ease, and it continues to shock me how he emerged into the character so naturally with his record of playing more rough and immature, younger characters.  Raymond Cho as "Leung Bao" was an appropriate replacement for Eddie Kwan, and had no trouble filling the void left in Law Ba's gang of friends.  Crystal Li did not have much development or screen time to work with as "Grace", but was very likable and shows potential as well as a certain aura of sweetness and intelligence to her.  However, the oddest character and casting decision was Elena Kong, who is pictured on the poster and initially appears to be a main cast member.  Her character had potential for development and another storyline.  Yet, she disappears after her divorce case and is never heard from again.

"Ghetto Justice 2" is deceiving.  It looks the same and as good as the original the outside with the return of its original cast and smooth entrance of new characters, but it's not.  The overall vision and point of the series did not mirror up to the first one.  It tried to expand on what made the original so beloved, but along the way ruined itself.  The sequel holds little novelty and things to praise about, but is full of weak and sloppy writing.  Perhaps it would have been better if the original producer Tong Kei Ming had returned, as he was replaced by newly promoted producer Joe Chan after announcing retirement.

Overall

"Ghetto Justice 2" feels more like a chore to watch than a pleasure, and definitely does not live up to the hype or the original.  With the exception of Christine Kuo, the series does boost solid acting.  However, the point that good acting can not save a bad script has been made and beaten to death by TVB a thousand times over, and "Ghetto Justice 2" is just another example.  The story is not engaging and sloppily written and should not be linked to the original.  There were some entertaining moments and I enjoyed watching the cast (mostly Sam and JJ), but the bad and weak outweighs the good.  Now that this review is written and done, I can now pretend there was never a sequel made for "Ghetto Justice".

Rating: 2 stars

Raymond Lam's "Self-Portrait" Album Review

Since debuting in the music industry five years ago, Raymond Lam slowly traveled off the path of being an actual artist and instead became an idol. However, Raymond shows redemption with the more mature yet diverse "Self-Portrait".

In past albums, Raymond's albums have been heavy with ballads and upbeat dance songs. Although ballads showed his voice and range nicely, it started to become boring and gave off the feeling that he had a "sleepy" voice. I wanted something different. His upbeat songs such as "Chok" and "Hello" lacked substance and were even somewhat laughable for their lyrics and composition and didn't fit him.  Rest assured, "Self-Portrait" is one big step in a positive direction.

Every song on the album is a bit different and there are many different feels and styles exhibited here.

The main plugs "頑石/Stubborn Stone" and "Because of You" are the closest the album has to ballads, but aren't quite ballads, which is a nice change. Instead, they simply have a slower tempo but carry a lighter and more serene feel.

"頑石/Stubborn Stone" possesses a beautiful sound from an orchestra and band in the background and the subtle yet obvious hint of sadness and pain in the lyrics are brought out by Raymond's signature emotion-filled voice.  The Mandarin version is also nice, but as usual, the original is better and flows more.

"Because of You" has a similar musical composition and feel but with a contrasting tone. It is sweet, calming, and sounds very romantic. Both are definitely highlights of the album, but far from the only noteworthy tracks.

The videos for both were splendidly shot.  It was nice for EEG to invest more money for Raymond to travel to New York to film the music videos.  "Stubborn Stone" was shot in the city, while "Because of You" is shot by a serene dock.  Both looked simplistic yet visually beautiful with the location filming and soft lighting.

"寂寞星球/Lonely Planet" is another stand out with its mysterious aura and subtle old Chinese influence. The song leaves you feeling intrigued and even slightly spooked from the mesmerizing melody. This is unlike any other song he's ever released.

"年時/Years" and "暗中作樂/Concert in the Dark" are also enjoyable tracks. "Years" carries a lovely melody and tempo that gives off a very soothing and thoughtful feel. "Concert in the Dark" is a more upbeat but playful song. "膠椅/Plastic Chairs" is another upbeat and playful song but has a slightly funky feel that's fun, but not fantastic.

"一刀切/One Size Fits All" plays like a song for a movie soundtrack with its suspenseful and strangely thematic feel. An interesting and dynamic song.

With my history of not liking dance tracks, at first listen, LFX 6.8 was not music to my ears, and the excessive auto tune did not help. However, as I listened to it more, it grew on me. It's catchy and has a great infectious beat. The hip hop influence is there but not over the top.

Aside from the main singles, "The One" and "I'm Okay" are my personal favorites off this great album.

"The One" is infused with a R&B feel, which is very refreshing and fitting with Raymond's voice. The song also has a slight mysterious yet romantic vibe to it that makes it so pleasing to the ears.

On the other hand, "I'm Okay" is an endearing and sweet song with an airy feel.  It's a fun track you can easily sing along to.  The female voice over near the end of the song rendered it more cheesy than necessary, but doesn't ruin the overall effect.  The music video co-starring Oceane Zhu is also very cute and smile inducing.

Overall

As an idol singer that has been sweeping up awards more because of the lack of singers and disagreements between record companies than his music itself, perhaps it's become easy to forget Raymond genuinely is talented.  He has good range, singing low as well as high notes with ease, and of course, the charisma and stage presence.  His recent material made him lose credibility in my eyes, but "Self-Portrait" comes as a true and pleasant surprise.  It is his album of redemption.  Here, he shows he has the versatility to sing different styles and types of music and has the potential to become known as an artist, not just an idol.

All of the songs here are worth listening to and able to set themselves apart instead of blurring together, something a lot of Cantonese albums can not do. Instead of having songs residing at polar opposites of the spectrum (slow ballads and upbeat dance songs), the album explores the things in between. Raymond Lam may have taken a few steps backward in the last few years, but with "Self-Portrait", he takes a huge step forward, and it's definitely worth nothing.  He is someone to start taking more seriously.

"Self-Portrait" is one of the best albums of the year and has quickly become one of my favorites.  Raymond's always had the talent, and for the first time in a while, he is able to show it.  Hopefully, he will continue in this direction.

Rating: 4.25 stars

Song Review: Eric Suen's "療Dry/Therapy Dry"

After a year of focusing on acting, Eric Suen finally returns to the Cantopop scene with his upcoming album "A Second Thought", which will be released on October 19th.  In contrast to the first single off the album "給我一秒說愛你/Give Me a Second to Say I Love You", "療Dry/Therapy Dry" is an upbeat track.

"Therapy Dry" is easily the most creative song in Cantopop this year.  It's a ridiculously fun and catchy song with a funky and unique beat.  The lyrics and message of the song are whimsical and clever.  Acting like a social commentary of the working class, the song talks about the dryness of the everyday working life, something I'm sure everyone can relate to somehow.  Eric wrote and produced the song, showing how his creativity and talent has only continued to blossom.

The MV makes the song an even more enjoyable listen.  Eric looks adorable, youthful, and even a bit silly with his sunglasses, style, facial expressions and moves.  I love how he seems aware of his silliness, but doesn't mind and isn't afraid to embrace it and loosen up.  The animation of the MV illustrates and adds to the whimsical feel of the song and lyrics.  Such a cute and fun MV!

From the lyrics, to the musical style, to the MV, in a realm of mostly "dry" mainstream Cantopop music, "Therapy Dry" is the most creative single of the year.  It's refreshing, whimsical, and fun yet incorporates such an easy to relate to meaning.  With great material like this, my respect and love for Eric as an artist continues to grow and he remains one of my favorites.  I can't wait to see what his latest album has in store!

Artist Spotlight: Dear Jane

Biography

Dear Jane is a Hong Kong band formed back in 2003 that is known for their signature pop punk/rock sound.  The band's name "Dear Jane" references a Dear John letter, and signifies how their songs are from a male's point of view. They released their debut record "100" in 2006 under See Music Ltd, whose name originates from how they played 100 shows prior to releasing the album.  After contract disputes with See Music Ltd, the band was signed to Music Nation in 2009 and released their album "XOXO", which scored their first #1 hit "Do Not Speak".  In 2011, Dear Jane was signed by WarnerHK, one of the top music labels in Hong Kong.  They released their "Gamma" EP the same year.  Since then, they have increased in popularity and recognition, becoming one of the bands in Hong Kong's small but steady "band movement".  Their latest EP "Yellow Fever" is now out!

A little more about the members...

The original line up of Dear Jane was Tim Wong as the vocalist, Adam Diaz as the guitarist, Howie Yung as the bassist, and Jackal Ng as the drummer.  Following the departure of Adam, the line up changed and Howie became the guitarist while Jackal the bassist.  Nice Lai later joined the band as the drummer.

Tim Wong - Lead Vocalist Tim was born in Hong Kong on May 6, 1981 and raised in the US.  He studied music at the University of Hawaii.  He previously worked as a model, and had joined TVB in 2003.  He has appeared in several Cantopop music videos as well as TVB series.  His full English name is Timothy Christopher Wong.

Howie Yung - Guitarist Howie was born and raised in Toronto, Canada, and majored in economics in university.  He is well versed in writing, composing, arranging, producing, and recording, making him a truly well rounded and talented musician.  Howie writes and composes a majority of the band's songs.

Jackal Ng - Bassist Jackal was born and raised in Hong Kong.  He graduated from University of Hong Kong's School of Design.  He is very skilled at playing the drums.

Nice Lai - Drummer Nice was born and raised in Hong Kong.  He joined Dear Jane as their new drummer shortly after the band signed to Warner.

Artist Critique
There are many great bands in Hong Kong right now, but Dear Jane is my favorite by far.  Their music is catchy yet of quality and substance.  Although I have limited knowledge of Cantonese, I feel like their music is so personal and powerful, whether they're performing an upbeat punk rock song or a soft rock ballad.  There's energy, meaning, passion, and honesty in their music.  I love their pop punk rock musical style, and how they experiment without straying from their signature sound.  Tim's voice has a nice tone, being neither too high or deep.  He has power as well as control in his voice, and transitions from upbeat or hard rock songs to ballads with ease.  The band is a lot of fun to see perform live, as they all have a lot of energy and passion.

What makes me love Dear Jane even more though, is that they all seem like such great guys and very approachable.  They genuinely love what they do, and are so talented, friendly, sweet, and modest.  They frequently update their official Facebook page and constantly keep in communication with fans, even taking the time to reply and thank particular fans once in a while.  Earlier, I had posted the link to my "Goodbye" song review on their page, and they had "liked" the post and personally thanked me.  Also, they just seem like such fun guys to be around!  I love seeing the members joke around and practice in videos.  Tim seems like he has a great sense of humor and can be so silly sometimes.  Also, I have so much respect for Howie.  All the guys are highly involved in Dear Jane and their music, but he is such an insanely talented musician who does so much.  At times, the concentration Howie can have in his music is even laughably endearing.

Dear Jane Song Essentials

"別說話/Do Not Speak"

Their first big hit, "Do Not Speak" went to #1 on several radio stations.  It is a beautiful song with a catchy yet lovely melody.  Howie had originally written the lyrics of the song after a messy break up with his girlfriend.  The lyrics had initially just sat around, but Jackal had played a drum beat Howie liked, and within 30 minutes, the band had composed and arranged a hit.  "Do Not Speak" is a honest and meaningful light rock song about how people should have a silent break up so they can keep the beautiful memories of what a couple once had instead of fighting and causing further pain.

"放大假/Long Vacation"

From their debut album "100", "Long Vacation" is a song everyone can relate to about wanting to take a long vacation from work.  The musical style of the song shows a strong punk influence, which I really like.  It carries a whimsical feel too.  I especially like the second verse where Tim pretends to call in sick to work.  It's a simple, short, fun, and catchy song a lot of people can relate to.

"空中小姐/Air Hostess"

A fun and upbeat song that also has quite the whimsical feel.  The MV is very cute and they look like they're having a lot of fun.  Tim's little "dance moves" are so cute and funny, as are everyone's facial expressions!  Known to be more of rockers, it's endearing to see them in such a goofy yet adorable fashion.

"戰狼三國/Wolf of Three Kingdoms"

One of their heavier rock and punk influenced songs.  I love blasting this song loud and rocking out.  The band sounds wicked here, I love how the electric guitar, bass, and drums come together here.  The chorus sounds very powerful.

"Rising Star"

This song served as the theme song for the Hong Kong Jockey Club in 2011.  The song is one of my favorites because it's such an inspiring, uplifting, and empowering song. I like the simplicity of the alternate MV, with the band performing in an empty room and shots of the members running with a Dear Jane flag.

"慣/Used To"

Although known for their pop punk sound, the band started experimenting with different things as well after signing with Warner.  "Used To" is a beautiful and emotional soft rock ballad.

"Yellow Fever"

A catchy and infectious pop punk song about the guy's like and respect for Asian girls.  This single also marks their first time experimenting with dub step breakdowns.  Read a more in-depth song review here: here.

"Let's Just Do It"

Whether it's getting someone's phone number at a party or asking them to dance, "Let's Just Do It" encourages listeners to just do what they want to do.  It boosts a very sleek sound.  Despite the auto tune used in the song, like "Yellow Fever", it's catchy, infectious, and has a great dubstep break down.  In-depth song review here.

"Goodbye"

A beautiful song that was executed even more beautifully.  Everything about the song is phenomenal: the vocals, lyrics, composition, arrangement, and overall sound.  It is such a powerful and memorable song that leaves an impact on you.  In-depth song review here.

Overall

Dear Jane is a versatile rock band with a distinct punk sound and a great ability to experiment with other styles.  Each member is very talented and makes their own contributions.  Dear Jane is a well rounded band that consistently and constantly makes great music.  Not only is it catchy, but has substance and well executed.  Besides that, they have all proven to be a group of great and fun guys as well.  I sincerely hope that they will be able to win more recognition and popularity.  They are definitely going far!  Go Dear Jane!

"Ghetto Justice 2" Review (By Lynne)

Lynne - I am a new contributor here at AE-Experience and this is my first post!

Synopsis:

After releasing from jail, LAW LIK-AH (Kevin Cheng) wants to start anew and he joins hand with his comrade WONG SZ-FU (Myolie Wu) to fight against injustice.

LIK-AH and SZ-FU soon become the “Condor Heroes” of Sham Shui Po but they have conflicting views on things all the time. To make the situation worse, LIK-AH’s ex-wife KING LING-LEI (Christine Kuo) suddenly returns from the USA and the relationship is put to the test. Meanwhile, they have offended the wealthy property developer by handling a building collapse case and LIK-AH’s life is in danger. Even his good friend TING KA-FU (Sam Lee), GEORGE MIKE JR. (Lam Chi Sin) and the newly-arrived policeman LEUNG PAU-SING (Raymond Cho) are embroiled in the legal battle. Will they be able to fight for the disadvantaged people with law in the end? -credits ktvb

Let's start talking:

- First of all, let me ask where did Elena Kong disappear to? After her case, she kind of evaporated? I wouldn't find that abnormal if she was just an ordinary character for a sub-story but she wasn't....was she? Sure, she got her own sub-story but she's also a lawyer. I had expected more of her later in court but sadly she was no where to be found later on. Such a pity, because I thought she was the most interesting lawyer to watch.

 - A praise I'd like to give to the producers/scriptwriters is how they effectively connected GJ to GJ2. Let's be honest, I was totally impressed watching the first few episodes because I felt that they did great linking it to GJ! Unlike other sequels, I could feel GJ in GJ2 and it seems like a continuation where nothing was cut. Of course, it helped a lot with the majority of the casts staying, including the mini supporting characters. Even with the new characters, I loved how they were introduced into the original GJ family (JJ Jia, Raymond Cho and Crystal Li). A smooth transition :)

- Love triangle between Law Ba (Kevin Cheng), Sze Fu (Myolie Wu) and Lynnette (Christine Kuo). What was the point of this triangle? I thought there were going to be cat fights, drama and tears but in the end...nothing. A disappointment? Not really because I hate love triangle's drama. Thank goodness Law Ba was decisive and knew who he loves. Unless written well, I hate it when characters can't choose who they love because it gets irritating. I'd also like to thank Sze Fu, for not get overly suspicious, but instead trusting Law Ba (in the beginning anyways....near the end, I supported her for not believing Law Ba though, because he was). A third thanks for not making Lynnette a clingy person. Why? Because they made Christine's character terribly clingy in Tiger Cubs! (Still can't get over that....)

There is one complaint I'd like to address to Law Ba though. I can see that he's a friendly guy but omg....keep your distance AWAY from Lynette when you don't like her! Seriously! This is why she can't get over you! I know he told Lynette straight out that he only likes Sze Fu but his actions (eating Lynette's left overs etc) are.....confusing. Not only is he doing himself no good, he's also doing Lynnette no good.

Another complaint! Why didn't Law Ba and Lynnette get a divorce? I don't get it....were they planning to keep the "married" status forever? Law Ba, you should know the law better than that....it's polygamy if you ever plan to marry Sze Fu later on. Wait, is it still consider polygamy....since he married Lynnette in the Canada? So marrying Sze Fu in HK....would be technically legal? I don't even know....

 *sigh* Now that I've done talking about that, what is my overall thoughts on this love triangle? Pointless.

-I really liked that case about the pregnant lady. I thought that was pretty interesting and the actress did surprisingly well in some of her emotional scenes. Anybody know her name?

 - The case where the lady was trialed for cheating the government's money. That case was rather little but I just want to complain about the outcome. It's stupid that she was charged guilty.

 - The last case, I felt a sense of deja vu and I think everybody felt that too? In GJ, LA took the conviction for Sze Fu and now in GJ2, Sze Fu was a step ahead of LA and took the conviction for him. In the end though, LA still admitted his guilt in court and stuff....and had to go to trial for murder. I personally don't get why it's self-defense. Even though he did not intend to kill, he still should be held liable in some sort of way shouldn't he? Not charge with murder but something else? But the series never showed any of that later....

 I would also like to add...this case had so much potential. A building collapsing? That's an exciting case! In the end though, it was rushed and so therefore....poorly written.

 - Oh...one scene where Law Ba and Sze Fu were forcing the pregnant lady's boyfriend to serve as their witness (or something along that line). Were they allowed to do that!? I understand that Law Ba usually uses some tricks to get their info but what they did then....I felt it was over the line since it seems like they were threatening the guy.

- Ah Teng (Sam Lee) and Sum Sum (JJ Jia). Surprisingly, I loved them together. Especially since they both have lost their loved ones, they got a sense of understanding and connection with each other. While Ah Teng is unwilling to let go of the deceased Ching Ching (Sharon Chan), Sum Sum is someone who knew she had to move on. This is why I like Sum Sum. She's practical, but kind-hearted and knows that they both cannot dwell on the past forever. Instead of trying to stay in the past, she strives forward for a better future, because she knows that her deceased love would want her to do that. Moving on doesn't mean you have to forget, and that is what she taught Ah Teng. I also liked how they stood by each other's side, especially when Ah Teng's mom died. Without her, I don't think Ah Teng could have moved on again.

- LA (Kevin Cheng) and Sze Fu (Myolie Wu). Once again they sparked wonderful chemistry together! I love watching their small interactions with each other, such as LA rubbing his head on Sze Fu's shoulder. They're such a fun couple to watch :) Not to mention they showed a great amount of understanding with each other throughout the series.

 Kevin Cheng as LA? There's something different with LA this time...Even though LA is still a fun character to watch, I thought he's a bit too "loose" in here. I felt this LA missed the sense of "fire", that strong sense of justice that the previous LA had. Maybe it's because he's a bit too laid back in this one? I don't know. I just know that there's a missing spark or should I say, it's just not as strong as before...

 Myolie as Sze Fu? Myolie once again brings the independent and tough character back onscreen! Like what I said before, I'm glad that Sze Fu did not go through a dramatic breakdown or something with LA but instead, dealt with the problem in a cool-headed matter. This makes me like Sze Fu even better than before :) After finishing the series, I also felt that her performance was better than in GJ, especially her emotional scenes.

- Christine Kuo as Lynnette. What can I say? Please put her in smaller roles? I personally don't find her accents terrible...because I don't understand Canto, hehe.  The main problem I have is with her lines within the expressions, etc. She doesn't have much expression on her face and when she says her lines, I can't exactly feel anything in them. Basically, I find Christine's acting rather wooden. I think her recent roles are too big for her to handle. It's better if she starts of with littler and light-hearted roles, which will be easier for her to portray. And since I can't tell TVB to stop promoting her, I wish her the best and hope that she will improve later on.

- Jazz Lam as MJ, Sam Lee as Ah Teng and Raymond Cho as Leung Bao. I don't think I have to talk much about them since I can easily describe them in one word: awesome. I love their friendship with Law Ba! Just like in GJ, they once again managed to make me smile every time they were together.

 - Crystal Li as Grace. You can tell she's a bit stiff but I don't think she's bad for a newbie :) Not much comment on Grace though...Just her "love" triangle with MJ and Leung Bao, she described near the end that MJ is a good man and Leung Bao is a good "friend". Even though she took both of their arms....I'm still going to assume that she chose MJ and that Leung Bao has been "friend-zoned". :P

Overall Thoughts:

Compared to "Ghetto Justice", "Ghetto Justice 2" lacked strong cases and a sense of "focus".  I felt that the series was everywhere, moving from one case to another. Unlike in GJ where law comes into play though, the issues in here were easily resolved.  LA also seems a bit different in here because he's usually convincing Sze Fu and the others to settle the cases in a more "peaceful" way.  Therefore, it does not involve a lot of court work.  I understand that though, because the cases are rather small....and that's the problem.

In the end, GJ2 failed to give the audience a "message" or something to remember about, when GJ did.  So would I recommend GJ2? If you want something for entertainment, try it out because the characters can easily make you smile and laugh.  But if you're looking for a good law series...this is not exactly what you want.  I'd say it's more like a social service series.

Song Review: Kary Ng's "狠狠/Ferociously"

Kary Ng goes retro for her latest single "狠狠/Ferociously", making it her first dance oriented song in years!  Known for her midtempo songs and love ballads, the young female songstress increases her versatility and well roundedness with her newest plug.

"Ferociously" details a love affair at its most intense with a retro electronic dance musical style, making it a unique, catchy, and addictive song.  There are some attempts at Cantopop dance songs every now and then, most of which I don't thoroughly enjoy because they tend to feel like they're too Western influenced, not innovative, and often, overdosed with auto tune.  "Ferociously" is my favorite Cantopop dance song now.  It's not only upbeat, catchy, and something you could actually dance to, but also stylish, creative, refreshing, and different.  I love the uniquely retro style of the song, which fits Kary very well.  It's great that Kary and her musical team are trying new things, and I'm looking forward to hearing more dance songs from her!

The MV has Kary herself dancing for the first time in an MV since her solo debut days, which I think is great.  She looks so much more mature and better now!  The only thing is I wish they could release a full version of the dance sequence, as you only see bits and pieces of it.  The "evil pig" masks were quite freaky and creepy, and were apparently part of an abstract theme which sought to say Kary could overcome evil like that.  I don't think this theme was executed too well, but at least it was creative and amusing.  The plot of the MV is questionable, but it's nice to see more effort being put into Cantopop music videos.  The MV is fun, quirky, and well shot.

This has quickly become one of my new favorites from Kary.  She is only getting better and better!  "Ferociously" is definitely a song worth checking out, especially if you're looking for something fun and different.

Song Review: Dear Jane's "Goodbye"

Dear Jane tells listeners that goodbye is just a new beginning in their breathtaking new single "Goodbye".

The song opens with gently playing electric guitar strings and Tim's vocals, followed by the build up of Jackal on drums. Through out the song, it takes a gentle beat on the verses before playing in powerful unison in the choruses. Tim's vocals sound fantastic here. He may sing upbeat pop/punk rock songs most, but still has a lovely voice and I was pleasantly impressed with his ability to sing with such gentleness yet power when the song called for it. I also love how Howie provides back up vocals in the latter half.

"Goodbye" is a soft yet powerful pop rock ballad that captures such emotion, sentimentality, and passion. Words can not describe how much I'm in love with this song. It's phenomenal and moving. The melody is gorgeous.

The MV was filmed perfectly and compliments the song flawlessly. It is filmed with a vintage style with soft focus, calling for the video to be dominated by calming light blue's, white's, and gray's. The backdrop of the beach with its ocean, rocks, and breeze was beautiful, peaceful, and completely fitting. The band playing on the rocks with the waves and stunning background behind them made it simplistic yet powerful, moving, and full of beauty.

Dear Jane is proving to be such a versatile band with so much talent and promise. Over the last few months, I've been continuously growing to love them more and more. They've tried so many different styles and pull them all off so well. Their latest single is no exception. "Goodbye" is an absolutely beautiful song that carries so much feeling and power. It definitely goes on my list of highlights of the year. I have been replaying it over and over again.

Dear Jane's fourth album "Yellow Fever" will be released on September 4th! Support this amazing band!

"Tiger Cubs" Review

"Tiger Cubs", with its high budget and quality of production as well as its cast ensemble, is easily the best series of the year hands down.

The series seemingly flies by with its straightforward plot and quick pace.  It has viewers hooked from beginning to end, without ever wavering in quality or consistency too much like typical TVB series do. From the first episode, it is clear the effort that was put into the series.   From the cinematic-like filming style, to the thrilling and well shot action sequences, to the wonderful ensemble of characters, "Tiger Cubs" is the most quality production of the year.

Cast and Characters

"Tiger Cubs" is easily most beloved for its young SDU boys, which consist of Oscar Leung, Him Law, Vincent Wong, William Chak, and Benjamin Yuen.


Oscar Leung receives the best character of his career with "Chong Chuk Yuen", as the role allowed him to shine and show his charisma and potential as a future leading actor.  Unlike his usual more rough and comic relief-type roles, Oscar is a gentlemanly, calm, mature, and sweet young man with a romantic side here, something we've never been able to see much of before.  Despite the age difference, he realistically portrays the brotherly friendship between him and Joe with ease as well as the sibling chemistry with Jessica.  And of course, his signature wink was adorable.

The fabulous acting by the young cast does not stop at Oscar though.  Him Law portrays the confident, cocky, rash, and impulsive "Yu Hok Lai" naturally and without a problem.  He matures and develops a close friendship with the team's technician So Man Keung (portrayed by Mandy Wong) as he helps her get over her fear of heights and achieve her goal of becoming the first female SDU member.  I can not deny he is one of the best actors of his generation and has what it takes to be a lead actor.

Vincent Wong delivers his most natural performance to date as "Yau Chun Hin".  In contrast to his best buddy Ah Lai, Hin Jai is humble and patient, but is insecure and lacks self esteem due to the pressure he feels from his family, which is full of heroic and accomplished cops.  Ah Hin was the character with the most potential, and I had looked forward to seeing him mature and become more confident as the series progressed.  Unfortunately, the script did not seem to have any intentions of focusing in on Vincent (notice he's the only one of the main SDU guys to not have any love interest), as he had the least screen time.  His character development was executed in a disappointingly abrupt and brief fashion.  Regardless, Vincent did wonderfully with what he was given.  In the early episodes, you could see the hesitation in his eyes as he started SDU training.    He also finally shed his habit of adding in English words and phrases to his lines.

No one had expected Hin Jai to be the one to die.  (Thanks to a prank by Jessica, who had "confessed" her character died early on during its airing.  This turned out to be a stunt by Jessica and Vincent to keep the actual ending under wraps.  Very clever, Jess...)  Hin died in such a tragic, graphic, and gruesome way.  Huge props to him for giving such a memorable performance in his last scene.  His death already had me in tears, and seeing the character try to utter one last smile to the world before he passed made my heart break.  Fantastic acting touch.  Previously, I already loved Vincent for his real life down to earth personality but thought his acting left much to be desired.  He shows he has what it takes to be a solid actor here, and I will be cheering for him all the way.  If a sequel does happen, I will greatly miss his presence.

Mandy Wong, like usual, delivers solidly and is perhaps the only female of the male dominated cast that is likable and interesting.  Christine Kuo gives what was hands down the weakest performance with her scattered Cantonese and English and bimbo-like character.  William Chak did well in the one episode he had the spotlight (the tour bus storyline), and I look forward to seeing more of him.


Although our lead actors perform adequately, they fail to shine and instead are overshadowed by the bright group of youngsters I mentioned above (excluding Christine).  Joe Ma, as our leading man, anchors the SDU team as their leader, but fails to leave an impression like the others.  He is likable as the hardworking "Chin Sir" who cared deeply for his subordinates.  As a character with not much of a dynamic though, he was easily outshined.

Jessica Hsuan portrays a different type of police officer here as the depressed and suicidal "Madam Chong".  While she delivers, it is hard to make this type of character likable as the depressed and suicidal state (understandably) of Madam Chong rid her of her personality and livelihood.  When she recovered though, she lost the only major dynamic she had.  However, as Joe and Jessica's relationship finally started to fall for each other, they did get some smiles out of me.  The scene where they are both sitting at the dining table stealing glances at each other was awkwardly adorable.


Other Notable Performances

This review would not be complete without mentioning the series' resident ultimate villains Kenneth Ma and JJ Jia, who made their debut in the first episode and returned in the last for a nail biting finale. Kenneth is chilling, frightening, and convincing as "To Tin Yau".  JJ Jia gives a decent performance as well.  However, they have already received endless praise for their roles, and I would like to mention others too.

Kenny Wong appeared in what was an underrated guest star role.  While I'm not usually fond of the actor, he gives a heartbreaking performance as the loving father forced into committing crime to get money for his sick son's surgery.  You could see the guilt in his eyes and that he genuinely did not wish to hurt anyone, especially in his last confrontational scene with Mandy.  Despite doing a bad thing, he sparked sympathy through the portrayal of all the emotions the character felt while doing it.  Jazz Lam was adorable, pitiful, and convincing as (autistic?) young boy whose life long dream is to be a cop and take care of his mom.  He is such a valuable and rare actor.

Lastly, a shout out to my favorite "underdog" artist, Patrick Tang.  He appeared in the series as a regular under Jessica's team.  Though "Ben" is Patrick's smallest role yet (I smell demotion), he makes the most out of the very minor but likable character.  It was nice to see Patrick in a more professional and mature role.  I loved the character's loyalty to Jessica as well as his subtle touches of humor.


The Series in General

The plot isn't one that sparks thinking or deep meaning, but the writing is above average for TVB's shoddy scripts these days.  The change in format was refreshing and proved to work well.  Since it clocked in with slightly longer episodes, but a shorter overall episode count at just 13, this made "Tiger Cubs" more consistent and less prone to cliches and filler material.  In fact, by the series' end, there is still a lot of potential for further development.  A majority of the scenes served a purpose, and unlike most TVB series today, doesn't stray from the point.  Additionally, the cinematic like filming style and high budget makes it look much more presentable, professional, and more attractive to look at.  It is the rare instance that they try something new and different and succeeded.  Quality isn't compensated, it's even better.  I appreciate how it still has the familiar feel of a TVB series, but attempts new things and actually executes it well.

Highlights

• The brotherhood, friendship, and chemistry between the characters.  The SDU team truly felt like a team, and I'll miss them!
• The action sequences/climaxes.  The cases themselves were fine, but not overly intriguing.  However, the climaxes always had me sitting at the edge of my seat!
• The finale.  Never has the finale of a TVB series had me so nervous, stressed, and thrilled!  My heart was probably pounding by the second half of the finale. 

Overall

You don't break what's not broken.  However, recent TVB series have indeed been broken - in other words they've mostly sucked.  "Tiger Cubs" takes a familiar formula but improves upon it with outstanding acting, cinematography, style, and action.  The script is no masterpiece, but it is through its execution that "Tiger Cubs" shines like a diamond.  

Rating: 4.5 stars

Patrick Tang debuts with band SirV and releases first single "Love?Love! Love. Love/愛！愛？愛。愛"

HK actor and singer Patrick Tang makes a fresh start in his career by forming a band named "SirV", which stands for "survive".  The band's line up is as follows: Patrick on vocals, Choi Chi Hou and Michael on guitar, Wilson on drums, Henry on bass, and Nicholas on keys.  Categorized as a rock band, SirV is the new band to look out for in 2012.

On July 27, 2012, SirV had their first gig at Citywalk's Opening Ceremony of the London Olympics. They performed two songs, their debut single "愛！愛？愛。愛/Love! Love? Love. Love" and "憤怒了/Angry", both great songs with differing sounds and tones that show their potential versatility as a band.

SirV first performed "愛！愛？愛。愛".  It has the rock band sound, but what's different about it is the tone.  Instead of being overly edgy, dark, or full of angst, it possesses a refreshingly upbeat and more friendly feel.  I can't quite explain it, but its lighter yet still clearly rock vibe is a breath of fresh air.  The song is catchy, fun, and both Patrick's vocals and the band sounds great.  The sound fits Patrick well.

Next, they performed "憤怒了", their heavier rock song.  This was definitely something I did not expect from Patrick.  While I'm not sure if this is the sound that best fits him, he pulls it off, the song is still catchy, and I enjoyed seeing him rock out like that!  He has the power in his voice for it.  I'm anticipating the studio release of this song.

As always, Patrick performs well live.  I love the enthusiasm and passion he shows when singing and performing live.  He always looks like he's having so much fun!  He looks even more full of energy with his band playing behind him.  My only usual piece of constructive criticism for his live singing is to control his voice better, as his power and enthusiasm can make him belt more loudly than he should.  However, I love his onstage presence.  The audience looks like they enjoyed SirV's performance too!

Following their gig at the Citywalk Olympics Opening Ceremony, SirV released the studio version of their debut single "愛！愛？愛。愛".  Listen to it here: http://youtu.be/4-hRkXXcn3w The song is also the theme song of the play Patrick is currently starring in, "神扒之間/Oh My Goddess!"

Overall
Despite having talent and being one of my favorite artists (you can say he's one of the underdogs I root for?), Patrick has never been given the recognition and success he deserves, whether due to bad luck, timing, or his lack of "star quality". As an actor, he was meet with lukewarm response though he delivered solidly (and fantastically as the comedic and cute "Tai Siu" in "7 Days in Life"). In recent years, he's failed to replicate the moderate success and popularity as a singer he had from his early days, likely due to lack of enough promotion by his record company.

With over 10 years of hard work and experience under his belt, Patrick deserves to have more than what he does now. Though not the best looking or charismatic, I've always had a soft spot for Patrick. He's talented, overlooked, and seems to be a very sweet and down to earth person, even having taken the time to reply to me on Weibo before.

SirV is already off to a phenomenal start, and I hope that with this fresh start in Patrick's career, he will finally get the recognition he deserves. Go SirV and Patrick!  Conquer the HK music industry!

Support SirV:
Facebook fan page: http://www.facebook.com/sirvband
Weibo: http://www.weibo.com/sirvband
Patrick's Weibo: http://www.weibo.com/n/%E9%84%A7%E5%81%A5%E6%B3%93